#this also may just be my brain going 'but THE OTHER THEMES-' to literally everything ever in all genshin regions

[agriocnemis]

ngl guys if I see someone dumb down Natlan to being purely "oh it's based off of Africa-" once more I am going to cry ngl.

it's name literally is Nahuatl, which is the Aztec language. it DOES have portions from African cultures, but it's mostly Latin American in it's themes. It seems to be taking themes from MULTIPLE cultures across the Ring of Fire in the end. The cultures it's based off of is extremely varied and a lot of pre-colonized ones as well.

Hoyoverse has been pushing the Latin themes in our faces since day one for Natlan, and still actively do so. It is mostly a mix of Latin American and African cultures with others (like Australian) in it as well.

This is the second nation in Genshin with African cultures noticeably mixed in, previous being Sumeru... which also really made their guys so pale for no reason.

[ryanthel0ser]

I just finished Sk8 the Infinity

first off "queer subtext" my ass, it is front and center you can't NOT see it.

second, oh my god the theme of love and having a passion for something is done in a way that scratches my brain in the best way. The three main relationships, Reki and Langa, Joe and Cherry, Tadashi and Adam, whether you think they are gay or not they totally are all highlight this dynamic of loving skating versus getting lost in the competition.

Reki and Langa are the clearest example of this. Reki loves skating, he may not be the best at it but he truly loves it. He understands the tricks and the skills, he knows it so well that he can make boards specifically to suit nuanced skills like Langa's because he loves it. He has the passion and the spirit for it which is the central thing he learns during his character arc in the show. But even outside his arc, Reki embodies the spirit of skating, that love of skating. That's what makes his race with Adam so important and that's present in why Langa feels the way he does when he's skating with Reki other than being gay. Langa falls in love with skating and Reki but then he starts to get lost in the competition of it all. Once he races with Adam (who is the antithesis of Reki's skating spirit), his love for skating is poisoned by Adam's "love" of skating. He starts focusing on skills, getting better, reaching Adam's level, he starts losing the spirit of skating. He loses Reki. Once Langa realizes what he's missing, he begins seeking it out again, looking for Reki. But Reki hasn't come back yet, the fun of skating is dead still until Reki has his own realization. Something that is brought back in part by the two other "Reki's" of these relationships: Joe and Tadashi.

Joe and Cherry's is the one that is in the background the most, but it's clear they're meant to parallel Reki and Langa's relationship. While the dynamic is not as extreme as the other two relationships it is still present. Joe loves skating, even if he wasn't the best at skating he'd still be doing it. That is made clear in his conversation with Reki when he gets him to come see Langa at the tournament. He understands that. His race against Adam isn't about proving his skill, he wants to beat Adam because he hates what Adam has become and what Adam is embodying. He wants to punch him in the face. Cherry however does want to prove his skill to Adam. He wants to beat Adam because he's better than him. In a sense, Adam's "love" tainted his enjoyment of skating too. Hence the AI board, the board giving him everything down to the millisecond, to the decimal so he could get the best time possible. I honestly believe part of Joe's worry during Cherry and Adam's race is because he knows Cherry is going to get lost in trying to surpass Adam and forget the fun of skating. Then Cherry gets slammed in the face quite literally by this, he's forced to face what's being going on through this injury. We don't see the resolution of this since it's regulated to the background, but it's still clear these two are meant to parallel Reki and Langa's dynamic towards skating. Also there's the whole thing where Adam is like Cherry's ex and Joe wants to fight the ex that hurt Cherry yadda yadda yes I ship Matchablossom what's new.

Tadashi and Adam are the most extreme of this dynamic going in a negative direction. Adam as I stated is the antithesis to the spirit of skating. He's completely forgotten what it meant to skate and is now tainting every other skater around him with this "love" he has. He's so lost in this darkness that it's seeping into the other skaters like Langa. All that matters is being the best, to crush everyone else below his level so he's completely alone. He's ruining skating for everyone else. Tadashi is the spirit of skating for him. Tadashi is the one that introduced him to skating and led him to fall in love with it as a comfort and an escape from the horrible environment he was being raised in. Skating with Tadashi was his escape. Tadashi was a comfort. But then Adam is found out by his father and Tadashi makes a mistake, but not the one he believes for most of the show. Instead of leading Adam back to the fun of skating, he lets Adam trample it. Rid of it. Put it completely in the background because he blames himself for what happened to Adam that day. And Adam doesn't rid of Tadashi because skating is still a comfort to him, though twisted and abused. He refuses to let it go. To let him go. Tadashi then tries to completely take away skating from Adam and then tries to get Reki to abandon it too. However, Tadashi's broken spirit only fuels Reki's back to life. Then, as he watches the race, Tadashi realizes where he went wrong with Adam. What the true love for skating was, not what Adam thinks it is.

This spirit of skating versus Adam is why Reki's race, Tadashi's presence in the tournament, and why Langa's race are so central. Tadashi including himself in the tournament is Adam being forced to see the dead spirit of skating that he's forgetting and it pisses him off. Reki's race is him directly being pitted against the living embodiment of that spirit of skating and while he does win the race, he still gets his ass beat. He's not stronger than it. Then his race with Langa is where he finally returns to it. Langa is like Adam, but he's fully back to the spirit of skating. He's had his character arc and now Langa helps Adam return to it as someone who experienced to a certain level what Adam is experiencing. Then Langa wins the race and the spirit of skating, the true love of skating, defeats Adam's "love." And Adam leaves the race changed, he remembers the real love of skating, he returns from that darkness he was in. The Adam of their childhood begins to return to Tadashi.

This main conflict in the show that's present in these three relationships is presented so brilliantly and it's what makes Sk8 the Infinity not just another sports anime with some possible queer subtext or baiting. It reminds me of Yuri on Ice and how the relationship to ice skating is reflected in Yuri and Victor's relationship, a show that I absolutely adore (and yes I wept profusely over it when the announcement came out). I desperately hope that Sk8 the Infinity does not receive the same fate because this show has something great that I want to see continued, it's almost a spiritual successor to Yuri on Ice to me.

Now I need the studio to let them lean into the very very very gay tones of these relationships like Yuri on Ice because holy shit all three of them have it. I thought Reki and Langa were going to kiss in the back of that van, Cherry and Joe kept acting like a couple and the english dub only emphasized that, and then that last scene with Adam and Tadashi hello????

[dontcallthedoctor]

TEMP CHARACTER THEMES!!!

HIYA, FELLAS!!! This is gonna be a loooong post, so strap in!!! (I've srsly been writing this post for four days end me)

Yesterday, I announced that Kinger had won the music poll and that he shall be next to get his own theme. Sadly, yesterday was also the day I realized I've been hit with musical writer's block, so it might be a short while before I come up with anything good—I REALLY wanna get something out for Halloween tho!!

Since people may be curious abt what's in store for the other characters, I thought it'd be fun to present my ideas to you all, and give u all a little insight as to how my dumb little music brain works lol

Obviously, I haven't written much of anything original for anyone but Pomni yet, so in the meantime, I've picked out some temporary themes for each respective character that I feel fit them well, and hopefully they'll give you all an idea what I wanna achieve with them musically! A lot of thought went into figuring out each character's respective musical identities, so I hope these example pieces resonate with you as much as they did with me!

That said, if you have other ideas as to how these characters' themes might sound, I'd definitely love to hear about them! Feel free to comment em below or DM me if you wish! Feedback is greatly appreciated!!!

Just as a disclaimer, barring ofc Pomni's Theme, NONE OF THESE ARE MINE, NOR DO I CLAIM AUTHERSHIP OF THEM! That out of the way, let's begin with...

Pomni: I briefly explained my process behind this one in the original post, so I'll elaborate a little more here for those unaware, alongside this slightly extended version of it (a whole twenty seconds YIPPEE)

Pomni’s Theme kinda ended up being a homage to the music of Danny Elfman. I came up with the melody one night just by playing around on my piano. It was this weird, off-kilter, sorta sad-sounding tune that really resonated with me, and thought it sounded perfect for Pomni, so it became her motif. My friend @pasta-yy worded it perfectly when they said it sounded like "Pomni-flavored despair" lol

It wasn’t until I decided to make it a full song that I realized “WAIT THIS MAKES ME THINK OF DANNY ELFMAN”, who I’ve always admired, so I took to his early work for inspiration. I’ll cite Simone’s Theme from Peewee’s Big Adventure as the main influence in terms of "musical flavor" for this one. It helped me find / flesh out the circus-y style I was aiming for!

This composition isn’t quite finished yet, but I plan to post updates on it the whole way! I’m really excited for you all to see where this one goes!

Someone said that Pomni’s Theme sounds like the opening theme from Laimin! Anmin! Suya Rhys Seikatsu (Sleepy Princess in the Demon Castle), an anime I haven’t seen, but I kinda hear it in some parts, at least in terms of chord progression!

Ragatha: For the rag dolly, I envision a sweet, somewhat-haunting tune. Imagine if a music box melody was arranged for orchestra. Very lush, very beautiful, very mature first and foremost, but with an undercurrent of sadness. Like Ragatha herself, the pathos is well-camouflaged beneath the happiness and the optimism, but is still undeniably there and perfectly in line with what we know about her character so far.

This particular track is led by accordion, which I'm not entirely sure fits Ragatha, but everything else is a pretty good representation of what I hope to achieve with her!

Jax: Prolly my favorite thing about Jax is how differently he carries himself in relation to everyone else. He's maliciously annoying, self-aware, and ironically more of a jester than the character who's avatar is a literal jester. He embraces being stuck in the circus like it's his first choice, instead of something he's settling for. He's an intriguing character and i'm curious to see how he'll evolve (or de-volve if Goose's comments are anything to go by)

In writing this, I'm struggling to put into words how exactly I want his theme to sound, but this track is a pretty good encapsulation of it! There's a sort-of confidence in it it and a jaunty forward-momentum that carries through the whole piece. I think that vibe really suits Jax. There's also an air of non-chalance that parallels how lackadaisical he is with everything. I feel that, since Jax doesn't take much of anything seriously, neither should his music lol

It almost reminds me of the music Vince Guaraldi composed for the Peanuts specials. His character themes always had this hip, carefree vibe to them, especially tracks like Peppermint Patty, which will also be an inspiration on Jax's tune.

Gangle: In case anybody hasn’t caught on, Gangle is my faaavorite character from the show, and I really want to do her justice, so it took me a good while to figure out just what I wanted to do for her.

That being said, the genre I'm gravitating towards most for her (at least while writing this) is gypsy jazz. For those who may not know, gypsy jazz (or jazz manouche) is a French style of jazz that uses solely string instruments; mainly violin, guitar, and double bass. It's a beautiful genre of music, and I think it's a perfect fit for Gangle <3

I imagine something playful, gentle, unassuming, and a tad saucy, at least when she's wearing her comedy mask. For her tragedy mask, I think it'd be fun for the tone to turn dramatically sad, and have the music structure fall apart, much like her mask. I'd really like to integrate piano in some way to highlight her sensitivity.

If anyone has any other ideas, please lemme know in the comments or DM me if u wish! Gods know I could use some inspiration ^^

Kinger: And now we come to Mr. Poll Winner himself! I'm honestly really glad that Kinger won, because I have more confidence in the ideas i've come up with for him than I am for a great majority of the others.

Knowing what we know now, I see Kinger as a very sweet, sentimental, yet ultimately tragic figure, so like with Ragatha, that's definitely something that's going to influence how his theme will sound.

This is probably my favorite of the temp themes, and definitely the one I want to stick closest to when I start writing for him. Everything about it just screams "Kinger" to me and I think is a near-perfect musical summarization of his character; the plodding simplicity, the almost-dreamlike surrealistic quality to the melody, the subtle melancholia, the chord progression, all of it. I think it gels with Kinger exceptionally well, which is why I've included two versions; one light, one dark.

The question is: do u all agree? ovo

Zooble: In searching for the right genre for Zooble, I've settled on what I call “Motown lofi”. Something that gives off swanky 90s “cool” vibes. Funky, mellow, bluesy, with a lil extra punch. Zooble is mostly low-energy but very much a plain-speaker, so I think this kinda music of music pairs nicely with them!

Amon Tobin’s Like Regular Chickens is another good example of what I'm going for. This one's very strange, kinda abstract, and prolly not most people's cup of tea, but I think it's neat and a pretty fitting sound for Zooble (maybe a little less intense in parts lol)

Caine: The logic behind Caine's theme is that it should be "annoying to everyone else, but he would love it". Something that he'd have no problem listening to every day on repeat, but nobody else can stand.

My first idea was really garish, campy carnival attraction music (more generally, Hammond organ music), represented in the first half. That stuck for awhile, but then I thought abt doing a pastiche of 80/90s sitcom intro type music, represented in the second half, which I think also works.

I feel like both could work, maybe even together, but I'm still undecided. I think wacky obnoxious organ music is PERFECTLY in line with Caine as a character, but the 90s route might be the more appropriate way to go, since it would to share some continuity with Digital Days from the credits (one of my fav songs from the soundtrack along with Not Alone and Somebody Real) We'll see what happens LMAO

Bubble: I’d always jokingly entertained the notion of making a theme for Bubble, but never put much serious thought into it until @mikiib asked for it, so here he is on this list.

The idea I settled on was “underwater Mario level?”, and the more I thought about it, i’ve decided that’s the direction i’ll probably go with Bubble’s tune. I imagine it being very "spacey" and floaty. Very peaceful and relaxing, but still rich with untamed weirdness, which is what makes Bubble fun :3

Mik also had the idea of using bubbly noises as percussion, which I DEF want to try! I've never really been experimental with percussion before so this'll be a fun opportunity to branch out!!

Other Characters: Last month I wrote a sweet militaristic-y march song for the Princess and the Candy Canyon Kingdom, but as far as other characters, I can't think of many I'd like to dedicate entire fully-fledged arrangements to, at least not presently. Maybe little ditties tho, that'd be fun!

I kinda wanna write something in tribute to Gummigoo since I really like him and think he deserves it. Something very ethnic and full of fun tribal instruments.

I have one for Baron Mildenhall that I haven't posted yet, and I've got a spooky lullaby I wrote for Ghostly (as well as for @mikiib) that I'll probably post tmrw for Halloween. Martha might get one too, she seems fun :3

[starzzmissthesun]

i think you should totally drop whatever hc/ideas you have lying around honestly...i would love to see more into ur brain...pls <33

:DD

Hi!!!! Sorry this is a little late, I got so distracted with an animatic im working on(😈) and then a stupid essay😭😭 being honest rn... Almost all of what I've been thinking about is my fic.. 😔

But!! I can still go a little into that without spoilers. I've finally figured out The Perfect ending for this story that I feel fits with the overarching themes I wanted to tell. I've been making sure that every little detail fits with the themes I wanted to show, I wanted it to overlap Regulus and barty's characters and their overarching themes with PD. I also didn't want to just replicate PD cause I feel like that doesnt have the depth or commentary I want to out into it. Idk ive always thought it's super fun to put everything as some sort of symbol or metaphor or foreshadowing. I'm like literally so close to being done drafting and then I can actually talk about it a little more😭

Anyways! I've also been thinking about barty post regs death 😔(when am I not) But more specifically how every memory he had would almost be tainted, everything now would have an air of questioning and unsureness. Even memories where Regulus isn't there, just wondering where was he? What was he thinking? Am I remembering this right? What could've I changed? What was the domino that caused all of this to happen? Eventually finding it hard to accept the way it really was, having the "I guess it was" and feeling it, but overintellectualizing it. His logic and reasoning is his downfall in this situation, that's what makes him go crazy. (Side note I NEED to make a little post about his intersection between intelligence and madness) Hes doing a complicated version of when there's a task that seems so simple that you think it's a trick, but it's not, it's just that. What happened with Regulus was just that.

Also, I've recently self reflected and realized that a lot of my barty characterization is similar to how I think of Leonard Cohen's art(who I LOVE LOVE LOVE) Idk if you've listened to him or read any of his work, but I HIGHLY suggest it, it's perfect for fall. Anyways, a lot of his songs and poems carry themes of having a twisted self image, not completely self deprication though it may seem, but something else. It's closer to understanding and knowing that you are. Different. And unconventional. It's an uncomfortablility he has with himself. Being soemthig twisted from what you should've been. A lot of his stuff is also to do with tragically losing someone, out of their own choice, and still feeling very loyal yet bitter. Also of loving something so much that it turns dark, or it goes too quick, it spirals. Also his love songs are very barty's perspective on bartylus to me. And like, obvious war mentions. I could give some specific recs similar to barty or them if you'd like.

Another thing is of Regulus and his relationship with his dad. Though I see it completely reasonable if his dad was just kind of, not there and neglectful, it could give very interesting implications to his character, I like it the other way around. Orion seeing what a more carefree attempt at raising a child does and keeping Regulus even closer than he did before. I think Orion always liked Regulus more, despite him being the second, because he was a model son. I don't think he wanted this life or even to have kids, so Regulus being so complacent and in line with what he was supposed to be as a pure blood made him the decided favourite(as much as he could have one). He was always keeping a close eye on Regulus and he could feel it, but he didn't do anything out of place anyways. Orion could tell when he was even thinking something he wasn't supposed to. I believe that, no matter how much she tried, walpurga was too caught in her own head about her duty as a mother to see S+R as anything other than Her Kids, as property that she was supposed to care for and tend to, she obviously loved them, but couldn't see through them. But Orion was there around every corner looking through regulus' eyes into his soul to search for any thing out of his perfect kid.

Anyways.... That's all I can think of rn😭 but if you have questions about ANY of them lmk!!! I love yapping about my little thoughts 😁😁

[cravingpepsimax]

hs reference like a flashbang aside, choosing a dave and rose excerpt activated something in my brain. (stan voice) it’s just like them. in a way

one is a certified journal writer mastering the arts of the horrors and homosexuality, while the other’s a comic drawing “”cool”” twin with a touch of big brother worship. ford a constant knowledge (light) seeker. stan and the motif of fire. the similarities obviously stop at the surface level traits but thats actually so funny

actually, i wouldn’t say the similarities are surface-level at all!

both ford and rose deal with the Horrors, yes, but there’s more to that. the reason they deal with them is for the same endgoal — obtaining knowledge. this even results in them both being taken advantage of a nigh-omniscient, devil figure (doc scratch vs bill). like you mentioned, she journals, but i’d also like to point out her walkthrough. kanaya reads her walkthrough, not knowing the identity of rose, creating an idea of her in her head, using it as a reference for her own journey… hey, doesn’t that sound familiar?

also, like, horrorterrors aside, you’re out of your mind if you don’t think ford would have a book called “grimoire for summoning the zoologically dubious”. like, title alone, that’s a ford thing.

like ford, rose thinks of herself as a character in a story, rather than just… a person (light player moment). she’s surprisingly calm about sacrificing herself to create the Green Sun, like how ford had resigned himself to being trapped in various hell dimensions, as long as that meant his dimension being safe from bill. also, they’re both nerds that are terrifyingly good at combat.

the rose-ford parallels aren’t shit compared to the dave-stan parallels, though.

they’ve both got a father that isn’t easily impressed, that pushes them to learn how to fight and how to fight well, who wears sunglasses 24/7. they both seem to have complicated feelings about their father, despite their father being shitty & abusive.

despite their detached appearances, both stan and save genuinely care for those close to them, and will do drastic things to protect them. becoming davesprite, dying for jade, actually just dying a lot in general (time player moment), and sacrificing himself for the Green Sun are just a few examples of this.

neither of them really want to do what they’re doing, either. dave doesn’t like time travel. it’s complicated. it’s scary. he’s afraid of his own mortality, and time travel involves a LOT of death. not just his own, either — if he fucks it up, he could end up killing literally everyone. but he does it anyways, because he has to.

stan hates science and math. growing up, he struggled in school, even with the smartest kid in school being his brother. but he still taught himself everything he needed to know to get the portal up and running — with only a third of the instructions. he did shit he hated, complicated shit he hated, for 30 years, because he had to. despite ford criticizing his recklessness, there’s not a single timeline where ford gets sucked into the portal and stan DOESN’T try to save him. and, just like how dave sacrifices himself for the Green Sun, stan’s willing to have his memory wiped for the sake of beating bill. sure, the Green Sun might’ve led to dave god tiering, but dave didn’t know that — just like how stan didn’t know his memory would come back.

they’ve also got the whole “i’m not a hero” thing, despite regularly doing heroic things.

(also, couldn’t find a gif of it, but ford calling stanley a hero both in the show after his sacrifice & in the journal)

also, just… read the aspect descriptions for light and time and tell me that isn’t ford and stan. especially time for stan.

…also, erm, fitting the themes of this blog, dave has… some stuff going on

also apparently davesprite and his rose may have gotten together according to the hs book commentary but i don’t own those and i can’t find an actual like. image or anything so don’t quote me on that lmao

[sciderman]

YES SCI YES YOU GET IT

like. okay, i dont think david way's run was AMAZING. it was flawed!! i think it struggled a lot with the execution of its ideas especially since there wasn't more natural flow between the comedy and more serious aspects, they interfered with each other a lot. HOWEVER. if you ignore the execution and just look at the underlying concepts behind the stories in way's run you start to appreciate it. way had such cool and fun ideas (i may be cringe but i really do like "evil deadpool" as bad as that name is not necessarily as a character but conceptually and as a medium for wade to Work Through Shit) and i think he may be gets a bit too much shit for it.

(i do, however, hate that way's run was basically the only reference material used for the deadpool game bc they stripped any more serious moments and themes from the run and JUST did the lol random humor and did irreparable damage by painting deadpool the taco memes guy and nothing more)

((also i might reread way's run now too :] ))

oh i have THOUGHTS about the deadpool game

way's run had such an impact on deadpool's pop-culture presence and my god. i think it was the timing of it, being at peak rage-comic icanhascheeseburger meme era of the internet where people would share panels out-of-context for the haha funnies and so that kind of was just how people were exposed to deadpool. deadpool became like, the comic equivalent to like, trollface or something

it's kind of over now, we kind of have a more complex deadpool out there doing his deadpooliest - and i can't say i miss the era of 7 different deadpool books and all of them being cringe incarnate. but i do miss the playfulness of way's era of deadpool. i think duggan and poeshn literally. actively did everything they could to "normalise" wade. make him like everyone else.

get rid of the boxes ✔️ give him a wife ✔️ give him a kid ✔️ put him on the avengers roster ✔️

i don't know, it was kind of a huge endeavour to make him normal. he still had all his misery, sure, but it became a lot less fantastical and probably more...? relatable? to your average straight middle-aged guy. but i think it's a shame, because i do like fantastical. i think it's fun to get fantastical with it. these are fantastical characters. so i love the grand hallucinations and indecipherable nonsense. i love the creativity. i love not-normal.

i think wade is boring now. comics wade is boring. he's boring, he's cutesy, he's not the weird messed up problematic fave that i fell in love with. i miss the problematic parts of him, instead of him just being a pity-fest. i miss his weird brain. i don't know what's going on up in there anymore. maybe dua lipa's "dance the night" en loope, maybe that's all that's going on in wade's head right now. yeah.

[abysshare]

Normally i don't do this because like. While I'm well aware i can have my own opinions, i still don't want to make anyone feel bad for me being a disliker ( maybe hater? ).

Spoilers / talking about the new Venom movie below. If you liked it I'm glad you did! If you want to explain in why in comments, feel free! /genuine

I'll start with: i had a bad-ish day so maybe everything soured my mood and i wasn't ready i. The end. I also picked the wrong ticket and had to watch it in 3D < not a 3D fan due to being sensitive to flashing lights.

What i did like:

Implications of being bonded since v1

Knull ( surprisingly, i hate the comic story though I'm gonna be so real. But its been awhile since i looked up the plot/story ).

Agony and the Christmas themed Symbiote

Horse.

Dancing.

The blue symboite and that fire symbiote ( so pretty?? I loved the different powers and such. I want to draw both of them ).

The symbiote hunter, shes gorgeous.

What i Did NOT like:

Toxin being erased entirely.

They killed of Carnage and Cletus in 2 so this whole thing flopped without them IMO

You can see where Disney or Sony whoever wanted this or that but when Tom or whoever didn't want it, it got scrapped and had messy left overs.

Too much action and too much comedy ( the dancing was fine, but the hippie family deal went on a bit too long imo ).

Why was Agony introduced but not the other three? Specifically Scream at least?

Knull having his own thanos moment for sony, a spin off or whatever they're doing.

Eddie's ENTIRE attitude.

That Montage was ASS. Hate that song too.

Too much going on imo

I would have loved to have a genuine queer moment, a kiss, a "i love you", literally anything. I can MAYBE understand if they tried but Sony or Disney said no ( fuck them ) but still. And no i was one of the few that hope there wasn't fucking or kiss with HARD tongue ( i am ace and also these two are my dads to me, it would've been awkward ). Yeah i see some people saying "Its textual" !!!

Yea sure thats nice but aren't you tired? It doesn't have to be queer baiting but like. I'm so tired.

Even if you remove that um? Its not.. that great.

I'm WILLING to watch it again and read positive sides. Because my mood just may have soured.

i think my biggest issue if i take everything away what i just said, is Eddie just going back to being annoyed at every little thing Venom does or wants. ITS OKAY to be concerned about being found by the hunter, but even before then hes just so done. And even during? He should've been concerned. Or Yeah he CAN be annoyed / irritated, but it should be with care. This felt like he was back to thinking of Venom as a tumor, something he just needs to get rid of.

It was vastly upsetting as someone who has partners. Like.. it would be okay if this was the second or first- but it isn't!!!!! And yeah couples fight, but they didn't even do that. Couples have disagreements! But they didn't even talk it out or anything.

Also like? One of my things that bugged me was, when Eddie was complaining about his feet, and we knew Venom couldn't fully take over..... why didn't Venom just yk. Cover his feet for him and walk? That would have been a subtle sweet gesture while they could've still been bantering and so on.

If they had like. Argued, fought, had an emotional moment at the end, Eddie was upset he never got to apologize- i could see it. But thats another thing- he wasn't even THAT upset...

Its fine to not be a super empathetic person, fuck i dont always cry appropriately either. But he didn't show Nothing and not in a "i'm a no empathy person" way.

Idk!!!!!!!! My brain is scrambled.

People have said a lot of what i have problems with already but idk i just!!! Feel the need to put it out there.

Also i missed the second end credit scene :,)

Note: I'm not angry or completely a hater. More so neutral and not a huge fan of some things.

[understandableparadox]

Bottom of the barrel isekai reviews:

Todays title: Welcome to demon school iruma

hi, im back, tell a friend.

Anyways we will be looking over something populer, and only a few images this time. I want this to be a nice slide back into the mix while I get ready to boil myself alive by reading shitty isekais.

"b-b-b-b-but dox!" you say, your form emaciated and ghoulish from months of little to no attention "how is it an isekai?"

Normally an isekai requires some form of passage into another world through death, but again, we are going to consider any and all portal fantasies to be on-par with isekais. as death and jumping through a funky portal are really kinda the same thing if you think about it.

so! plot synopsis, we open on the titular character iruma! they are being sold to a demon, don't worry this action will be the literal best thing that has ever happened to them. Also, added treat, slavery is not a running theme in this manga! HURRAY! WE HAVE FOUND OVERCOME THE BARE FUCKING MINIMUM! HUZZAH FOR MEDIOCRITY! MY DESIRE TO RUN MY HEAD THROUGH A ARC OF GONGS UNTIL THE SOUND WAVES LIQUIDATE MY BRAIN MATTER HAS LESSENED!

anyways we get to know some important plot points between the buyer and the product! (our mc)

iruma is a 14 year old yes man. They say yes to everything, even yes to the idea of breaking child labor laws! as their parents are frivolous unimportant freaks that spend way too much money then bolt, leaving him to work off the debt. Anyways, that's how this happened. they wanted dosh, and our buyer, we will call him grandpa!

Why is he so interested in buying a child? simple! He is rich and wants to have a grandson, unfortunately, he does not have a dick due to war injuries... ok thats a lie, he just wants a grand kid.

Anyways this is a very interesting title in the fact that it is still in a way, a power fantasy, but the power in that fantasy is separated towards other things.

It is a story in which you have the power to be helped. The adults in this manga are actual competent adults, they are there for the protection of the children, they are there to guide, nurture, train and help them grow. Despite differences or annoyances some may have, those are secondary to the ferocity they show when it comes to ensuring the protection of their students.

Iruma does have a lot of “i am the chosen one” but it is not something that automatically aids him in most situations, in fact it is the triad of facts of “I am a human”, “I want to help”, “I am determined” that allow him to rise both in power and social standing. The might makes right idealism of the underworld forced to reckon with people that stop to drag someone across the finish line. 

As for the plot, it goes along a few separate arcs; there is a very clear progression of time as Iruma gets older. Mostly split into two parts. Irumas social life, in which we get to see him become better and better friends with the students and faculty at this school. Showing both the give and take as they both show how far they are willing to go for each other. 

The second half is the mystery and political intrigue of the demonic society at large. The idea of a demon king has gone missing, disciples of which are eager to try and resurrect him as they see no one who is more suitable for the role, opposing forces trying to groom the top students at various schools into the role of king in a contest of disciples. 

I think you should give it a read, its cute, the designs are fun and the power system while simple is still enough to give the action that is there a lot of meat. It's also satisfying thing to read if you just got done with a shounen and you are wondering “where the fuck are the adults? Why are these children doing everything?”

Draw backs. Not a lot but some of the students are essentially drawn as adults and there are parts where you will feel slightly skived out by.

[bunnakit]

Since you were looking for asks I was wondering what you thought about Hush-Hush since I don't think I've seen you mention it yet since it came out? I'm usually skeptical of collabs but when it was announced I went back and watched a bunch of Be:first's stuff to see what kind of stuff they did and I hit Mainframe and Masterplan and, like, obviously they're commentary on Japanese salaryman culture on the face of them. But from a loretiny-lens I was like 'ohhhhhhhh these would fit seamlessly into the Z universe'. And then Hush-Hush itself came out and I was absolutely delighted by it. I was sitting there vibing along with the song, knowing that there were always supposed to be more members of the resistance than just the the Black Pirates and I was like 'ok, if Be:First wants to be part of the Japanese wing of the resistance in the Z universe, I am actually completely cool with this'. I also thought the connection to Wonderland with the Escher Stairs, and the (potential) tie in to whatever event fractured off the Halazia universe with the strong use of the eclipse distortions effecting gravity were super interesting. All the line references in the song to being undercover which could potentially tie into Work and its one mention of hiding from (android) guardians. I'd be really interested to hear what you thought about it.

hey anon sorry it took me a bit to get to this, my health has been in the shitter.

for my basic lizard brain thoughts on hush-hush:

i find your lore theories fascinating. i can absolutely see the direction and think it's such a fun idea to play with. personally, i don't tend to apply collabs to lore just because i don't want to take away from the other group's message or whatever theme they run with (this is my first exposure to BE:FIRST but i'll def be looking into them more.)

i'm also very much one of those people that doesn't think all of ATEEZ's MVs apply to lore - some may have nods to the lore but don't really progress the narrative (Youth, IT's you, Everything, MATZ) so i don't dwell on them too much story-wise. Hush-Hush is a bit like that for me, i think they did what Chung Ha did and applied some homages to ATEEZ lore as a little respectful nod but i don't know that it was anything so intentional as to tie into lore - but again, i really like your thoughts on it and think that's such a fun take on it and such a fun playground to play in!

i do think your mention of Wonderland is also very very interesting because i noticed a few things as well - i'm so sorry, i'm about to be so pretentious and annoying. i haven't commented on this a lot publicly because i feel like it's very much me being overly analytical and all of it could be a coincidence but i'm starting to think it's absolutely not.

(more thoughts below the read more, just trying to keep from clogging people's dashes too much lol - i'm also sorry if the photos don't load side by side, tumblr sure likes to fuck me on formatting sometimes)

Hush-Hush is very, very similar to Wonderland in the way that it uses shape language to back up the message conveyed by the lyrics and overall theme.

'the fuck is shape language?' okay so shapes in media actually hold symbolic meaning - there are different interpretations based on culture, themes, etc. but here are the themes and meanings i generally look out for.

you'll see a lot of use of squares/rectangles throughout both Wonderland and Hush-Hush ↴

squares/rectangles can be used to represent oppression, imprisonment, control, and similar ideas. you'll see it rather blatantly in Hush-Hush as they directly say 'too late to notice, you can't capture us' while framed in a square train cart and going so far as Sota making a square gesture with his fingers. an overt message conveyed in Wonderland is Wooyoung quite literally chained and confined on a square pedestal.

another shape that links the MVs is the use of triangles ↴

in a stark contrast to squares, triangles can represent rebellion, dissent, strength (tho this is shared with several other shapes,) and truth (which will tie into the final shape i'll address.) it's pretty obvious how this ties in with almost everything both BE:FIRST and ATEEZ represent and in my personal opinion it is very fun to keep an eye out for triangles throughout ATEEZ's media.

the final shape i've noticed a lot of is circles ↴

circles can be used to symbolize unity, truth, wholeness, harmony, enlightenment. this is obviously apparent in Wonderland where the lyrics repeatedly reference finding the truth, the door to the truth, etc.

all these shapes used in conjunction with each other create a blueprint narrative of ATEEZ's lore - overcoming oppression and control through rebellion and strength of self in the pursuit of truth and harmony. i imagine you can apply the same theory to many of BE:FIRST's videos (it'll be very fun for me to look through later and see if this is true) but Hush-Hush definitely has very obvious nods to this message.

this symbol is also shown in the beginning of the MV and i'm not entirely sure what it's supposed to be, if it's something related to BE:FIRST, a map of this metaphysical city, or something else entirely, but you'll see it incorporates all of these shapes as well.

if we want to touch on the hexagon in the center hexagons can be used to convey coherence, cooperation, connection, and balance.

the message of cooperation and connection is very interesting when applied to Hush-Hush as there are a few gestures throughout the MV that nod to a connection and cooperation between BE:FIRST and ATEEZ (which lends even more credit to your own theory anon!)

you'll see in this screenshot BE:FIRST holds their hands out, palms down, towards ATEEZ while the ATEEZ boys hold their hands palms up, as if to meet BE:FIRST's in unity.

here you can see Ryuhei??? and Mingi nearly forming a direct connection through touch (and perhaps a very loose 'Creation of Adam' reference if we want to squint and tilt our head 90 degrees?)

there are also continual references to escape and freedom which is backed with the visuals of several modes of transportation; cars, planes, the train, etc. this combined with the lyric 'we're living in a metafiction' (artificiality, parody, imitation) really solidifies the desire for escape and freedom from whatever force is oppressing them and keeping them in this warped reality.

and then we have the Escher stairs you mentioned being a theme between the two ↴

the sharp angles can also be a reference to shapes, especially in the case of Wonderland, but to me the stairs have always represented the uphill battle in front of them. sometimes following the truth, pursuing your goals, and holding to your own personal morals can be a struggle that seems insurmountable.

there's no one definitive meaning to Escher's 'Relativity" but many sources mention an altered or warped perspective, a loss of gravity (as you mentioned,) and an infinite labyrinth. regardless of the meaning, i do think they're also a great visual used in conjunction with the idea of a metafiction or warped reality.

if you wanted you could maybe also attribute ATEEZ's break through the glass as an escape from this reality or a separate reality that kept them isolated from BE:FIRST.

idk these are all just my own reads and interpretation of things, i truly think all takes are valid and i think that's the beauty of ATEEZ and videos like this. we all have different ideas and theories but at the end of the day they almost always lead us to the same conclusion, the journey there just looks a little different.

if you read this far i'm kissing your head. please anyone ALWAYS feel free to ask my thoughts on MVs, even old ones. i'm always looking to babble about lore and symbolism and shit.

[sophieinwonderland]

https://www.reddit.com/r/SystemsCringe/s/MXrwyBfjJk

Anti endos really dont know how to read huh???

They really dont understand that plurality =/= only did/osdd/other dissoiative ones i may be forgetting

This! It's genuinely mind-boggling how people can have such strong opinions with absolutely zero understanding of anything they're talking about.

I'm gonna dive right into this post, because it's just so terrible!

I'm endogenic. I'm a tulpa. We do not have DID or OSDD or any other dissociative disorder. We have never claimed to.

I believe that DID is almost always caused by trauma. And that more research needs to be done on different presentations of OSDD to determine how strong its association with trauma is.

I can't understand why these facts are so hard for their brains to process.

I'm not a huge fan of insulting people's intelligence but gods, these people just make it really difficult not to.

I have literally always said I was endogenic!

This hasn't changed!

I'm also not saying that only trauma can cause DID. I think there definitely is a possibility that there could be rare non-traumagenic forms of DID. But being open to this possibility is VERY different from claiming, as the Satanic Temple's Grey Faction has, that DID is typically iatrogenic.

The Grey Faction does not believe DID is caused by trauma.

And this hate subreddit is using them as a source for their anti-RAMCOA rhetoric!

On the topic of gaslighting, Grace is correct that Grace did not say the words "religious alters only existed after Hazbin Hotel." (I didn't say they said those words either.)

Here is what Grace has said though!

Remember in the below screenshots that the black at the top are the posts Grace is responding to and the light grey at the bottom are Grace's words.

Grace assuming that Hell in headspace is from Hazbin Hotel:

Grace saying there wasn't a slew of religious alters before Hazbin Hotel:

(Anyone who has been in the system community knows that religious headmates were very common since long before Hazing Hotel was a released.)

Grace assuming a biblical angel alter is from Hazbin Hotel:

Grace assuming ANOTHER angel is from Hazbin Hotel:

This is despite the fact that this person is obviously confused about why they have an angel there and probably wouldn't be confused if they had an introject from Hazbin Hotel.

Grace assuming a God alter is from Hazing Hotel:

And as a reminder GOD ISN'T even in the show!!!!!!!!

This doesn't even make sense!

There's a very consistent theme in these posts. You know, since I'm already reusing the screenshots, might as well reuse the meme as well.

Back to this post though...

Oh...

Yeah, I'm just going to refer back to everything above!

Grace!

Where does this post mention DID???

Even though I do believe it is theoretically possible to have DID without trauma, this post doesn't say that!!!

How is this whole subreddit this bad at basic reading comprehension???

Right... You guys just have a mod-approved hit list of acceptable targets to name to focus attacks on said targets. A list that I'm on, by the way.

Why would I censor usernames of people on your subreddit if you don't censor mine, and have me on your list of approved targets?

Now in fairness, I screenshotted users from this subreddit without censoring names before they put me on their hit list, and I will continue to do so even if I'm removed from that list because yes, it's an ableist hate sub and I have no desire to hide the names of people participating in spreading hate against systems.

But I still want to call out the hypocrisy of a post that names my blog complaining about me not censoring the names of the people I respond to.

[toads-treasures]

Writer Interview

I got tagged by @forget-me-maybe and @pouroverpaloma, thank you for the tag!!! I'm sorry that I definitely may have overshared!!

When did you start writing?

This is going to sound cliche but, since I learned how to write at all, I think? I distinctly remember that I got in trouble when I was about six years old, because I took a photo album that had nice sturdy paper pages from the laundry room and wrote a mystery story in it. I remember it was a mystery because on every other page I colored my own version of the old transitions they’d do in cartoons, with a question mark with concentric colorful circles around it lol. Strangely vivid memory of those transition pages, I think I was very proud of them. 

But I’ve been writing and “illustrating” pretty much my entire life. I started writing fanfiction in middle school or highschool, and that’s what I’ve always liked writing the most.

Then I decided to get a creative writing degree, which then led me to developing both a god complex and a crippling sense of perfectionism and self doubt, and completely drained any enjoyment from writing literally anything, because I couldn’t get my professor’s voices out of my head. I loved my professors and I think I learned a lot, but I became so obsessed with my writing being perfect and impressive and something they would want and like, that I stopped writing things that I liked. So, I had a crisis and dropped out! And didn’t write anything for like four years so 🫠 but we’re slowly gettin’ back into it. 

Are there different themes or genres you enjoy reading than what you write?

I don’t think there are any themes I enjoy reading that I couldn't really write, but genres definitely. I don’t know if I could write a contemporary romance. Unless I am doing a modern AU lol but even then I always seem to end up adding some kind of fantastical element.  I love reading a good Emily Henry novel, but I try to write a lighthearted contemporary romance and inevitably some ghosts or fucked up fairies of some sort will appear. I gotta inject a little horror and fantasy into pretty much everything I write, which I think a lot of people are surprised by. I’m surprised by it, because I am such a baby I can’t handle watching horror movies. I think less horror, and more like, gothic elements maybe? IDK man it’s been a long time since I’ve been in a literature class.

Is there a writer you want to emulate or get compared to often?

I wanna be Maggie Stiefvater when I grow up. She’s a young adult novelist but she is such a talented writer, I can’t even explain other than her books make my brain go !!!!! 

I cannot recommend Scorpio Races or The Raven Cycle enough. She’s got such a distinct voice, and she is really good at magical realism which I love. I don’t know if I intentionally try to emulate her though I think I’m just a sponge that just absorbs bits and pieces of anything I read, but I think I have unintentionally stolen a line or two from her before.

Can you tell me a bit about your writing space?

I have a home office that I adore and is super cute and cozy but unfortunately most of my writing is done at work on my lunch break. But that’s also a pretty nice place, a shaded courtyard at the hospital I work at that’s got really nice tall trees that blossom in the spring. 

What’s your most effective way to muster up a muse?

I always come up with some pivotal character detail or plot point while I’m doing dishes. Then I have to scramble for my phone with sudsy hands to immediately tell Liz I have had A Thought.

Are there any recurring themes in your writing? Do they surprise you?

I think a lot of my stories are about grief, which I don’t usually realize until later. Grief and memory and growing out of the place you were born, and the kind of dissonance that comes from wanting so desperately to go home but not fitting when you get there. Or things are different than how you remember, for better and for worse. I love thinking about complicated parent/child relationships, and coming to the realization that more often than not your parents are neither heroes or villains, they’re just people.  Coming of age stories but the protag are in their late twenties? 

I looooove to write about people slowly (or not so slowly) falling in love and the little things you notice about someone when that’s happening. Like the way a slight sunburn sometimes makes blue eyes look even bluer, the way someone’s eyes widen before they start laughing, like they’re surprised at their own amusement. Getting to know someone in so many different contexts. So different kinds of intimacy I guess? It wasn’t until recently that I even considered writing smut lmao and even now when I try the characters just end up having some deep conversation and unearthing some kind of trauma. Let’s not analyze what that says about me. 

But it always seems to come back to grief at some point and living with loss and growing around it. Which is strange because I’m very lucky to have not gone through that process with anyone extremely close to me. It is definitely something I think about a lot though, it’s almost like I’m trying to brace myself, or practice grieving before it actually happens.

What’s your reason for writing?

Escapism babyyy. I say escapism then talk about how all I ever write about is grief….so….but it is both escapism and kind of working through some shit emotionally lol. One of my favorite possibly cringey things to do, but something that has genuinely helped me a lot, is creating a character that has a lot of qualities that I feel self conscious about. They have ADHD, they’re tall and a little clumsy, or they’ve got the same body type as me. They also dropped out of art school. But it doesn’t bother them at all. They’re not insecure about any of those things. Or if they are, they learn not to be. And the other characters love them anyway.

One of the things I’ve really enjoyed doing with a lot of the fanfiction I write is I get a chance to write about the moments in between the big moments. Explore aspects of characters that maybe there wasn’t time for in the game. Or you know if it’s Wyll just aspects that Larian didn’t bother to do at all i’m not bitter 

Is there any specific comment or type of comment you find particularly motivating?

Literally any. I crave any form of validation. I love when people can point out themes and stuff to me because I usually miss that myself lol.

How do you want to be thought about by your readers?

Uhhhhhhhhh I have never considered this. Positively? I think more than anything I want people to care as much as I care about these characters, that we’re all being genuine and sincere and sappy together.

What do you feel is your greatest strength as a writer?

I don’t know if it’s my greatest strength lol but I love writing dialogue. That always comes easily to me. And descriptions of landscapes. That’s always something people in class would point out. I will wax poetic about a mountain or the sea don’t test me. 

How do you feel about your own writing?

It comes and goes lol. I try not to think about it too much honestly because I’ll spiral pretty fast into extremely self critical territory and freeze up. Because I must be a genius, Professor Signor told me so, now I have this impossible standard to live up to. Also my professor never told me I was a genius but she did really like my writing and wanted me to take a bunch of honors classes and be on the school literary magazine and all of that pressure and expectation kiiinda made me freak out and run away. So now I try to just have fun, and that’s what I want to feel more than anything is that I’m having fun, and truly enjoying this part of me that has been a part of me for as long as I can remember. 

tagging @hauntedliz @mars-colonyand @likesomethingblooming if you wanna!

[pastafossa]

hi, pasta :)) i really hope you’re good !!

my bad if this is something you’ve talked about already but i was just wondering what inspired you to write trt??

also is it okay for me to say that (like just from all the notes you put at the end of chapters and being able to get in your head a lil bit from all that) you genuinely seem like such a cool person <3

THIS IS SO SWEET, thank you so much!😭 My chapter end notes have absolutely turned into a little director's commentary session so those are definitely a look into my head, so I'm delighted you enjoy them!

And I haven't answered this question in a long time, I don't mind answering again!

Behind the cut so I don't clog everyone's feeds!

TRT basically started because I was talking to a friend about the list of POVs I'd written in (1st, 3rd limited, and 3rd omniscient at the time), and she threw out a, 'You're literally just missing 2nd person, DO IT YOU COWARD. I DARE YOU'

she thought i'd just do a oneshot she did not mean for me to go out and write War and Peace: Daredevil which is hilarious in hindsight

Anyway, my brain went 'CHALLENGE FUCKING ACCEPTE-wait I don't know how to write 2nd person. I'd only ever experienced it in RPGs and Choose Your Own Adventure books/stories up until that point (hilariously, I didn't even know about Reader fics at this point), but I liked those well enough, so I went and did some research, checked out CYOA library books to figure out how I could write a good You like the ones I loved in games and books. The whole time I was also trying to think of what the hell I'd even write about. I knew I wanted it to be Daredevil since it was my favorite fandom, and obviously it would have a You in it like CYOA books (discovered Reader fics around here during the research phase, which helped a bit), but I had no real plotline beyond that. Then I had a post come across my previous tumblr account's feed. It was one of those prompt-type idea posts for writing, and it said (paraphrased since it's been like 7-8 years):

'According to myth, there is an invisible red thread that binds two soulmates together. Though it may tangle or stretch, it never breaks.'

And... something clicked.

What if you could see them?

What if there were more colors?

Colors not just for a soulmate's love but for all love - love for friends and family, for teddy bears and your old car, for all our sweet dogs and purring kitties that love us wholly, for forests and the sea, for books and music and your old house and your entire city and holy shit that's it-she can see them, and if she can see them, she can track them, and how useful would that be to those in power? And if you have these psychic connections that's basically a way into someone's soul so what if it was like a whole other realm and obviously it's not physical so emotions would look like this and memories like-

A general plotline began to fall into place after that, built on my favorite plotlines and archetypes and tropes and my love of DD - an Evil Scientist/Defeat the Monster story arc; bring in the Bad Dude But A Good Dad archetype combined with the Cool Mafia Guy (partially inspired by Jonny Marcone in the Dresden Files); a slow burn romance which I loved watching/reading but had never tried writing before; a conflicted, morally grey protagonist to further explore the theme I loved in Daredevil of redemption and ethical dilemmas and the question of choosing who we become, etc. Once I realized how big this story was going to be, I decided to go all in and throw everything I had into the arcs and plotlines, sort of as an experiment to see if I could write a longer story at that point since I want to be published one day. And it just kind of kept getting more and more detailed from there, as I came up with twists and turns to throw in, ways I could more deeply explore this section of Hell's Kitchen and the wider Marvel universe because goddamn did I love this world the writers had created, found ways to incorporate tropes that I adored, until eventually it became TRT: this love letter to both Daredevil and all of my favorite tropes and storytelling in general. <3

[runningw-thewolves]

Stray Kids X Fenrir Post (LONG POST)

(Cause why the Hell not?)

Today I found out that 1) someone made a Fenrir based tattoo sleeve design for Bang Chan and 2) not only has Bang Chan seen it, he has stated he might possibly get it. Now, I am a STAY, a Norse Pagan and a follower of Fenrir. I think you can figure out what my brain was doing processing all this.

(Also; THERE HAS BEEN HINTS TO NORSE MYTHOLOGY IN STRAY KIDS MUSIC VIDEOS!? STAY, do a wolf some assistance and pinpoint me to the videos and moments cause I NEED MY STRAY KIDS NORSE/VIKING CONTENT. Anyways...)

I am very Autistic when it comes to several of my favourite things coming together and creating a *chef's kiss* moment. This is no exception. It's why INK are my favourite band (metal, Emo and horror together? YES PLEASE) and now I have Stray Kids, Norse mythology AND LITERALLY MY FUCKING RELIGION? Holy fuck! *insert brain melt moment from Indiana Jones here*

So, I figured; let's talk about some of Stray Kids past works and Fenrir at the same time. Yep, a Stray Kids Fenrir themed playlist in the format of a Tumblr post by someone with Autism currently losing their damn mind.

Before we begin, let's get everyone acquainted who may be unfamiliar.

The Binding of Fenrir

'The Binding of Fenrir' is arguably the most famous tale involving Fenrir. Fenrir is the eldest child to Loki and Angrboda, his younger siblings being the Midgard Serpent, Jormungandr (who has beef with Thor, to keep it brief) and the future death Goddess, ruler and caretaker of the dead and arguably an important figure in Baldur's tragedy, Hel (or Hela).

Why was Odin interested in Fenrir? For one simple reason; he had been told a prophecy where a large and powerful wolf would kill him. I should point out this part of Odin and Fenrir's story is a very medieval trope of the paranoid king and his son destined to kill him. This case is no different; the downfall of the king is because of his own paranoia. Everything he does to try and prevent his downfall only solidifies it into existence. It's a common belief among many of us Heathens that Fenrir might have never considered going after Odin if Odin had just left Fenrir alone the whole time. Hell, there was the distinct possibility that Fenrir could've likely been an ally to Odin and the Aesir if it weren't for their fear and paranoia.

So, how does Fenrir get bound? Odin and a few others ride to the Iron Wood, the home of the Jotunn and Chieftess of the Chieftains of the Iron Wood, Angrboda, and forcefully take her children from her. Jormungandr strikes and either Odin or Thor (heavily debated) throws Jormungandr into the oceans of Midgard. Hel is immediately exiled from Asgard and sent to what is often dubbed 'Helheim'. Fenrir was kept in Asgard, primarily to keep an eye on him. He was scorned and mocked and treated with fear by the Gods, and no one dare approach him to feed him. Aside from one God; Tyr, the God of Justice. (Also a God of War himself but ssh.) Tyr befriended the young wolf and fed him.

Naturally, Fenrir grew. And very quickly. He soon domineered over the buildings of Asgard and the Gods grew paranoid of his strength and size. It was then decided for him to be bound. They tried on three separate occasions, telling Fenrir it was a game. The first time was some normal, ordinary chains. Fenrir broke those with a single movement of his paw. The second was a reinforced chain. These were a little tougher but they too were shattered. The Gods then got in contact with the Dwarves to create for them a special chain, named Gleipnir. This chain was presented to Fenrir, and its appearance - similar to that of a ribbon or thread - immediately made Fenrir suspicious. He only agreed to have himself bound if one person were to lose their hand should they go back on their word. Tyr was the one who offered (this is a HUGE deal, as Tyr is basically associated with business transactions, oaths and the likes. Loki even goes on to call this out in the poem 'Lokasenna' (Loki's Flyting)). Naturally, Fenrir is bound, he can't break free, Tyr loses an arm. Fenrir snaps at the laughing Gods' ankles and Odin shoves a sword through Fenrir's jaws. Fenrir will only be freed by the violent thrashing of his brother come Ragnarok, to which Fenrir will kill Odin. Some sources also say Fenrir eats the sun and moon, however this is a tricky subject as that act is often attested to two other wolves. There's plenty of theories but for this post, they are irrelevant.

Stray Kids Everywhere All Around The World

Stray Kids first became known by a survival TV show in late 2017. At the time, there was nine members. (For the sake of avoiding drama and cause the matter is done, I will be talking about Woojin but sticking to the facts. Everything from the drama was false (which I learned the hard way and am still trying to learn from); do not attempt to bring up the controversy in reblogs or replies or I will block you.) The members included (in order, starting with team leader then oldest to youngest); Bang Chan, Kim Woojin, Lee Minho, Seo Changbin, Hwang Hyunjin, Han Jisung, Lee Felix, Kim Seungmin, and Yang Jeongin. The group would debut in 2018 with the track "District 9". Upon debut, most of the members would continue using their names except for the following; Minho (would debut as Lee Know), Jisung (would debut as Han) and Jeongin (would debut as I.N.). Kim Woojin left the group in late 2019 around the time of the "Double Knot"/"Levanter" promotions. (Hence forth, Woojin is irrelevant. This is where we shall leave any mention of Woojin hence forth.

Stray Kids would go on to become a pretty big deal, even winning the competition TV show 'Kingdom' (let's not go over the whole MAMA bullshit, that would take a whole tray of paracetamol to get through), leading to the band being noticed by Ryan Reynolds and Hugh Jackman. In the past year, several of the members have appeared or modeled for various designer brands (ignoring the politics of this for now; good on them for their success however).

Bang Chan and Fenrir's Connection

As was mentioned in the TikTok I linked earlier, Bang Chan is the member of the group who was a trainee for the longest amount of time. Chan had been training under JYP Entertainment for seven years by the time of the pre-debut TV show. Chan has mentioned several times in the past the anger and sadness he felt, connecting with other trainees only for them to leave (either from being fired, changing career paths or debuting before him - this was especially noted to be the case with groups TWICE and GOT7, where Chan is friends with members of the groups and even shared a dorm room with members of GOT7). It's not hard to imagine the amount of pressure Chan was under to debut on the survival show. Or the amount of pressure he put on himself and the rest of Stray Kids. This amount of pressure would rear its head when members Lee Know and Felix were eliminated (but would be brought back later and debut with the group). A clip from Felix's elimination gives a glimpse into how hard Chan was on himself.

I will not speculate Chan's thoughts or feelings, but if you dig into it, you can come to some conclusions quickly based on the surrounding context and what we know about Chan and Felix's friendship post-debut.

Fenrir is bound and thus cannot be free to show his true strength and power, held back by the Gods for fear of what or who he could be. In essence, some could argue that this is what made Fenrir stronger and the wolf we know today but that comes with the ridiculous amount of pain and torture the wolf felt. Sure, he became stronger, but at what cost? I would say this is the same question to consider when talking about Chan and Fenrir. Sure, Chan is a wise and strong leader now, but what was the cost? He's made it clear that at one point before debut (and other members have backed this up), he actively avoided connecting with people cause of how many friendships he watched crumble for one reason or another. There's even a clip from a livestream where Chan was noticeably angry with staff and you can see the visible fear and awkwardness from the other members. Again, will not speculate on what any of it could mean, but it does point to something Fenrir and Chan may also have in common. When they are angry, they are

PISSED.

However, it's also important to keep in mind the sort of things Fenrir teaches and encourages from a Norse Pagan/Heathen perspective, so...

Fenrir in Norse Spirituality

A common name attributed to Fenrir is "breaker of chains". When we're talking about what this means from a spiritual standpoint, it means to free yourself from your past, free yourself from expectations or demands of others that holds you down and to let go and live free. For many, this can meaning learning how to cope with mental illness and trauma, learning how to manage (not control) one's anger, how to fuel emotions into actions and remain within the present and not think about the past or the future.

I've also heard many people describe Fenrir as a special kind of 'military boot camp' strict. This is the best way I can describe it; imagine, if you will, that you are a house. Fenrir is the property surveyor (the person who checks houses for faults). Fenrir will go around and tell you everything that isn't sturdy, that has cracks or other faults. Not out of malice, but because if you don't fix this, all it takes is one bad day and your self-worth comes crashing to the ground. Fenrir will even go out of his way to test these parts of yourself, again not out of malice but to make sure you can withstand it. Going back to the house metaphor; imagine Fenrir pointed out your foundations were made with weak cement, so you redo the foundations. Fenrir isn't convinced until he can push into it or stand on it and find it can withstand the weight. (This doesn't go into how our emotions fluctuate daily, but hopefully you get what I'm trying to say.)

Fenrir is also oftentimes seen as an example of justified rage. The rage of youth being mocked by their elders for simply being young. The rage Black people feel when another officer shoots yet another unarmed Black person. The rage LGBTQIA+ people feel when one of their own is killed or assaulted for simply being in love or expressing who they are. The rage women feel when men try to take advantage of or gaslight them into accepting lower. The rage of Indigenous people watching as their lands get bombed, farmed, and in general colonized and ripped of all its worth until nothing remains.

With all these factors in mind, let's finally get to the meet of this. The Stray Kids songs one (like myself) can associate with Fenrir. I will include lyrics, and you're more than welcome to reply or reblog with songs I may have missed. So, without further ado; let's get cracking! (Please note I will be using OT8 songs primarily for this post, again to avoid drama or anyone dogpiling about the controversy.)

'Placebo' (3RACHA original; 2017, Stray Kids original; 2018, re-recorded; 2021.)

"The positive belief that will even heal my wounds Keep going, the Placebo that works on me Honestly, there’s no need to be negative Trust myself, throw away those extra thoughts"

'Placebo' is a song essentially about relying on yourself to get through your challenges, while acknowledging what is currently making you feel weak. The fear and worry about wondering if you will actually make it, but telling yourself you can despite your worries, being your own friends in your darkest moments. Felix's verse I think is almost entirely applicable to Fenrir (Felix even says "drop these rusty chains" - remember, Fenrir was first bound by chains before Gleipnir.)

"Miroh" (original; 2019, re-recorded; 2020)

"Poison, trap, toadstool you can set them up I'll survive in the end, whatever it takes I know your traps, you set them up And I stomp on them tougher There's only one answer, you just have to open it"

"Miroh" (Korean word for 'maze') is an EDM-style song about persevering through the challenges you face, head held high, trusting your instincts and knowing that one way or another you have prepared for this moment and you will make it out the other side. The chorus starts with a line explaining that the narrator (Stray Kids) decided to go into the city (the challenges) themselves and know what is coming, are ready for it and know they can make it through the trial. The song also uses various animal sound effects, including a tiger's roar in the chorus, a hawk's caw and a bird-filled jungle soundscape. (Fenrir is often reported to be associated with swamps and mountains, so the inclusion of wild animal noises fits perfectly here.)

'Red Lights' (2021)

"No matter how hard I try to escape, there's no answer Until I fall asleep in the sun, even deeper I really wanna know, yeah I've already lost control"

This song is performed by Bang Chan and Hyunjin, and according to Genius the song "about compulsion and confusion of ego and about obsession about doing something". One would think, with the sexy sound and concept of the track, it would imply something of a sexy nature. However, it can also be about anything that someone can grow obsessed with. Another person, a feeling, an action, a moment, etc. The line "Tell me you hate me" makes me think of Fenrir talking to Tyr. The music video for the track also heavily features Chan and Hyunjin in chains, so one could also argue the obsession to be the desire to escape from their chains.

"MANIAC" (2022)

"The real self has been released (Yup, yup) Barely holding on (Yup, yup) After blinking once, back Again, back to cosplaying as what society Defines normal to be pow"

'MANIAC' is a song with a visible influence from Mary Shelley's 'Frankenstein' as it explores one's individual uniqueness, the expectations of society (which can delve into toxic perfectionism/happiness, conformity etc) and how we as a people have hidden our inner 'maniac' to fit in with the world. Even when in Asgard, surrounded by the Aesir and Vanir, Fenrir was always gonna be Fenrir. Just by his mere nature, he was deemed an outcast for being a larger and stronger wolf than they had encountered before, something that within itself isn't a crime. Fenrir would likely always be looked down upon if he showed discomfort, anger or any sort of negative emotion. In this song, Stray Kids basically asks the listener to open up their true self, live their authentic selves and enjoy the life they've been given, essentially; "shed the chains society has forced upon you."

"BEWARE" (original; 2018, re-recorded; 2020)

"My current state, the way I talk, my actions I know I shouldn't be like this But everything goes the opposite way I want you to understand me I don't know what will happen Again today, I'm barking"

Remember when I talked about Fenrir and justifiable rage and I brought up youth being angry with elders being condescending with them? This song is my 'case and point'. Going back to what I mentioned in 'MANIAC', no matter what Fenrir did the Aesir were likely not going to view him in a positive light. Ask any person who has tried to get on the good side of someone who couldn't care for them and you'll often find descriptions of growing tire, frustration and rage. Sometimes, we are going to encounter this in life - whether it be a boss who treats us poorly, a colleague/acquaintance/friend gossiping or lying about us behind our back, a family member who has expectations for you that you can't reach no matter what you try etc. Fenrir is no stranger to this; he experienced it firsthand living amongst the Aesir. That rage one feels in these moments is a healthy rage, a voice, which you will find is either being encouraged by Fenrir or is Fenrir himself, screaming at you "This isn't right, I shouldn't be treated like this!"

"SCARS" (2021)

"I'll never cry because I know that it'll never change I'll stay standing and endure it in an unknown place There will be many times I'll almost fall, but Alone, I reach out my hand, alone, I stand back up"

Sometimes, when we face hurdles in our lives we will feel sadness, sorrow or despair. If there's one thing I want to end this made tangent about, it's this; you will face challenges and it's OK to not be happy about it. It's alright to cry, to scream and wail and sob, to shed tears, feel fear, embarrassment, etc. It's alright if you need to punch a pillow or cry yourself to sleep. Remember; Chan probably did the same. For seven years. Fenrir probably did too, stuck within his personal Hell. But if there's one thing you should take from both of them, it's that you are stronger than you think you are. You can survive, you will survive. You will see the light on the other side one day; all it requires is fighting through the pain, even if that means crying from the hurt. We don't leave this life unscathed; we all will die with countless scars, both physical and mental. Be kind to yourself, know you are worthy of being alive right now, and you have the strength to push onwards. Carry the strength of Fenrir - and the strength of Bang Chan and Stray Kids - with you and remember you aren't alone fighting against the chains you've found yourself bound in.

(TLDR; an Autistic Norse Pagan loses were mind when were discovers a Fenrir tattoo design for Chan, goes on a long Stray Kids and Fenrir rant.)

[andrewwtca]

when are we reborn? a messy Final Fantasy VII Rebirth essay

FINAL FANTASY VII REBIRTH SPOILERS AHEAD

I just finished Rebirth yesterday. It took me 72 hours. There were some things that I didn’t love—but I loved the majority of it, and god were the things I loved amazing. This is genuinely one of the greatest video games I’ve ever played and one of the most immersive stories I’ve ever witnessed. This is what video games can be. I’ve seen some people call it a must-play and I have to agree. It’s just such an experience.

And, in my typical fashion, my brain already started to literary analyze. The game presents so much in nearly every aspect a theorizer or analyzer would want, leading me to wonder what its forefront means. So behold a very messy impromptu essay about the meaning of Rebirth.

what’s in a name?

Let’s start with Remake. What does its title serve to do? It informs about what the story will give us from three angles: first, a meta angle. It’s letting us know that this is, obviously, a remake of FF7. Secondly, it provides a narrative angle. It’s letting us know that everything we hold true about the world of FF7 will be remade. We learn this through the inclusion of the Whispers, who provide a literal narrative reason for why the story is different this time around. Destiny and fate are now active forces in the narrative. And finally, it provides insight into the characters. It tells us that what we are going to see is the same characters but in a completely new light. This is especially true with Cloud, who we see in the original (hence dubbed ‘OG’ and ‘the OG’) act stoic and standoffish until hours and hours in the game. In Remake, we see the ‘true’ Cloud shine through very early on, through his kindness and headaches.

And Remake is also just a badass name for the series. The Remake trilogy. That’s just good.

What is the meaning of Rebirth then? From a meta angle, we can see that it’s giving birth to a completely new world, one we never got to experience in the OG. With its tens of quests and hours upon hours of side content, we are witnesses to a rebirth of what FF7 is and can be. From a narrative angle, rebirth refers to the establishment of new timelines. The world is reborn time and time again, branches of the original timeline that are usually doomed to end in disaster. (Hence, Sephiroth Reborn.) And finally, when considering the characters? That’s where the word rebirth truly shines.

role call

FF7 is praised for having such a strong cast of characters. While some people may fairly argue how this holds up over the compilation, the OG has a diverse, fun, and just alive cast of characters. From a vengeful man learning how to let go of his anger to fight for justice and his daughter to a teenage ninja wanting to liberate her country, we get such a colorful range of stories that it’s no wonder FF7 attracts such a wide range of fans.

And it’s not just as individuals: as a team, the characters are a delight. They are the essence of found family with a connection to one another that highlights the true theme of the game: that the true way to combat capitalism, threats to the planet, and evil as a whole is through love. It’s hard for me to even pinpoint a single relationship that highlights this the most because they’re all so important to the narrative of each other’s character growth.

We have Cloud who inspires the cast and the cast helps learn him to accept and love himself. We have Aerith who teaches the cast about the world and the cast gives her friendship that she never felt in her life. We have Tifa who teaches the cast about willpower and the cast teaches her self-confidence. We have Barret who teaches the cast about the will to never give up and the cast gives him the steps to giving up his pursuit of revenge and fighting for the ones he loves. We have Nanaki who teaches the cast about their authentic selves and the cast lets him be his. We have Yuffie who teaches the cast about the importance of community and the cast gives her a community that unconditionally cares for her. We have Cid who teaches the cast about finding new dreams and the cast gives him a way to achieve those dreams. We have Vincent who teaches the cast about responsibility and the cast teaches him about self-forgiveness. We have Cait Sith. This is the most bare-bone summary of what they bring each other emotionally, not even touching on individual relationships or their place in combat.

But when talking about this story from a meta perspective, what actually ties these characters together? In the OG, it’s a bit unclear. They all have some reason for fighting Sephiroth and they all have some reason for wanting to save the planet. They have some introduction that gets them on this wild train ride, but what was the reason for putting this cast together? What lets them build this relationship?

Remake and, in particular, Rebirth makes it simple: loss.

giving and taking

With all that Rebirth gives us, we have lost so much. In going from Midgar to the rest of the world, we’ve lost the familiar steel sky, we lose the familiar streets, and we’re thrust into the unknown journey. All our characters lose their normality: Cloud is no longer a slum merc, Barret is no longer with Marlene, Tifa is no longer a bartender, Aerith is no longer a flower seller, and Nanaki is no longer an experiment. (Note for that last one: loss is not always a negative experience.)

In this unknown journey, we are constantly exposed to these two extremes of gaining and losing. Following the Bandits' journey, they lose their bandit identity, gaining one of a corporate entity before forgoing that one and returning to their roots, but in a new light. Following Kyrie’s journey, she constantly tries to gain a new life as a merc but due to her laziness, loses it before reuniting with her grandmother, the Angel of the Slums, and re-establishing her life in a new light. It might seem like they are gaining, losing, and then returning to their original state, but that original state is gone. Just like how Sector 7 may one day exist again, the plate is gone, those people are gone, and things cannot go back to how they were.

Zack’s entire episode is about this loss of normality. His normal before Nibelheim was Shinra. His normal after Nibelheim was the labs. His normal after the labs was that struggle to survive and take care of Cloud. And finally, when he makes it to Midgar? The world is ending. He’s gained a second chance and he’s about to lose everything for good this time, when he’s already lost so much of his identity. With Aerith unconscious, he has lost any sense of direction and doesn’t know where to go or what to do. He just wanted to start where he left off, but where he left off no longer exists. He has no choice but to forge forward.

All the different timelines show him gaining something: in the timeline where he goes after Cloud’s cure, he gains apathy toward the end of the world. In the timeline where he goes after Biggs, he gains a will to keep going, to reclaim his life. In the timeline where he does nothing, he gains access to an entirely new world; that ending doesn’t quite hit the mark, but it follows the pattern. With all that Zack has lost, at the very end, he gains something, for better and for worse. He has forged forward, through loss gaining something new.

The very game starts with that showcase of loss: Cloud’s retelling of the Nibelheim Incident. Despite his version not being accurate, this tragedy is the epicenter of Cloud’s character and goes on a tidal wave of losing and gaining. It starts with something lost: Nibelheim burning. And then, something gained: Cloud’s status as an experience. Lost: Cloud no longer knows who he is in those experiments. Gained: Zack saves him, and his status is now free. Lost: Zack dies. Gained: Claiming Zack’s memories, Cloud Strife, First Class Soldier is created.

Or, in other words: Cloud is reborn. Again and again, Cloud is reborn. Once as an experiment, again as a free, comatose man, and once again as a SOLDIER (see: a mentally ill, conscious man). Cloud ‘dies’ and is ‘reborn,’ and he is constantly redefining himself, whether by choice (such as in Advent Children) or against his will (such as pretty much every other moment in his life.)

This theme of loss leading to rebirth is shown masterfully in the beautiful Trial of the Ancients sequence. We have Nanaki who loses his freedom, even loses his name, becoming Red XIII. We have Tifa who loses her home, loses her father, and loses everything she’s ever known. We have Yuffie who loses Sonon, leading to an extreme mental breakdown. We have Barret who loses his wife, loses his best friend, and loses his home indirectly due to his actions. And we have Aerith, who loses her mother and loses the only life she’s known.

Not shown in the trials, we know what the others have lost: Cid (whose backstory in OG was his losing the ability to make his dream of going to space come true) who loses so much freedom due to Shinra and loses Elmyra. Vincent who loses Lucrecia and loses his place in life. Cait Sith (see: Reeve) who loses the lives of thousands.

These characters do not know the extent of each other’s losses—they are not even aware of each other’s losses. But they are connected through it. They have all lost so much; and yet, they are reborn.

Nanaki becomes Red XIII who becomes a new, loved Nanaki. Tifa becomes a bartender who becomes a warrior for the planet. Yuffie becomes a part of a new team who becomes her true glowing self. Barret becomes a father who becomes the leader of an AVALANCHE branch. Aerith becomes a new daughter who becomes a florist. Cid becomes a pilot who becomes the team’s pilot. Vincent becomes a non-literal vampire who becomes a leading force against Sephiroth. Cait Sith literally died and was literally reborn.

They are reborn from their memories and through their love. Their loss carries them forward, oftentimes hindering them from connecting with others. And yet, it is that hindrance that connects them. It is the struggle that connects them. What they lose in immediate friendship, they gain in lifelong comradery. For example, Cloud and Barret couldn’t see on the same planet, let alone eye-to-eye when they first met, and they, throughout Remake, became each other’s ride or dies.

Even we, the players, are reborn in the story. We experience the loss of Aerith once again in a new light, in a new tragic twist, and we have gained so much by the reimagining of her character and here we are again, losing.

With every step we take, we are leaving the one behind us. They are footprints that we have made, footprints we cannot erase, but we have left them behind us. And we continue to forge forward a new path. We cannot be born again, for we are already alive. Yet we can reinvent ourselves with the knowledge we have.

who we are

So, who gets to be reborn? All of us.

Every gain is a loss and every loss is a gain. There’s loss, gain, and grief everywhere. Grief is love lingering, and there is love everywhere. Grief is loss and grief is gain. These characters have lost so much, have had so much grief piled onto them that it should surely destroy them, and yet they gain: they become new versions of themselves, for better and for worse.

That is the meaning of Rebirth and that is the message of Rebirth: love, live, lose, and then do it all again. That is what ties us together in life. Love and loss are two sides of the same coin like life and death. There cannot be one without the other. And if you let loss overtake you, you stop living; much like Sephiroth. He let the loss of his normality define him. He lost everything and was reborn one last time as a monster.

We lose every single day. We lose keys and we lose arguments and we lose our minds. And we gain every single day. We gain friends and we gain insight and we gain new ways forward. And so, we are reborn every single day. Every step we take, every word we say, we are redefining who we are, who we want to be, and who we can be. Just like how all of Cloud’s new hobbies (dancing, crossdressing, photography, cards, chocobo racing) in Rebirth give him a new path forward, so too do all our choices. Our fates are up to us, just as it is up to them. We are the ultimate harbingers of our destiny.

So when are we reborn? Every single second we are alive. So make the most of life, and above all, love and lose.

I hope this ‘essay’ was readable. I hope you gained something and hopefully didn’t lose your mind. Thank you for reading!

[cidthesquid]

Style Savvy Trendsetter #11 - The Curtain Closes!

[Previous Post]            [First Post]            [Styling Star #1]

... I know I know! I said, I was done with this game in Post #10, and in post 10.5, I uploaded my remaining screenshots/outfits. But after my injury, the number of games I can play has been limited, and my mood was a bit low, so I went back and finally unlock and completed the 'Elite Contest', and thus completed the game!

There's still more to do in the game, such as the 'International Contest', more hairstyles, photo backgrounds, etc,

and the special brand, 'Purple Moon' is unlocked:

I've heard others refer to it as the 'cosplay brand', But I generally tend to think of it's image simply as 'Fantasy', but either way they have a very distinct style. Once some time passes in game (Day->Night) I also trigger the shop event that unlocks the final contest:

...But this requires me to win the 'Elite Contest' in each of the 10 themes, ...Again, with no way to track what themes you've done. And it's random, So for now, I'll consider the game complete. -_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-

Overall, I'm super glad I went back and finished up this game. I ended up spending a lot of time making new outfits, and I think Style Savvy: Trendsetters is a TON of fun. It's a HUGE improvement over the DS original, it terms of not just graphics, but quality of life changes:

It's SOO much easier to navigate, everything is snappier, the outfit uil is much better, and the music's nicer too! ...But I will miss the more cartooney character models of the DS game:

The newer 3d models are more realistic, but loose a bit of the 'flair'. -_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-

Anyway tomorrow (or Monday) I plan to start the 3rd and final style savvy game! As I mentioned in in post 10.5, I may be changing up how I play a bit, to move away from the (cute/cool) outfit 'neuron activation' style designs, in an attempt to see if I'll also enjoy working with more complex designs. Or what will bring me the most enjoyment. I'm sure that very idea may be confusing to some, so I'll just simplify it by saying that pretty much any kind of expression, even something as simple as designing outfits, functions a bit differently for me, (my brain is a little silly) One of the main reason I started this blog was, so I could talk about these games and fashion in my own weird way, even if it mainly benefits just me, getting the thoughts out. So I'll be doing the same thing with dealing with how I should approach these games. Try new stuff, and even if it seems weird or unconventional, find what form I enjoy most, as I proceed on my digital fashion journey! -_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-

But anyway, thanks for reading! I had a lot of fun making this, so I hope you had fun reading it as well. (Click here for my blog on Style Savvy: Styling Star)

As always, all comments, questions, and suggestions are welcome!

You literally can't bother me, (unless you go out of your way to be a jerk), so post whatever you need to say!

[theallegedbird]

LITERALLY

Like

For example "6up 5oh (cop out)" IS LITERALLY THAT ONE POLICE EP FROM S5 where Jonny said the disclaimer at the beginning OR or bro c'mon literally "dr sunshine is dead" is about the dark OR "hand me my shovel, I'm going in" is about the buried or I personally connect "Mr. capgras encounters a second-hand vanity: tulpamancer's prosopagnosia/pareidolia (as direct result of trauma to fusiform gyrus)" to the stranger bc he keeps singing "you're trying to replace yourself" which I think really fits and also the song "skeleton appreciation day in vestal, my (bones)" also reminds me of the buried but also a bit of Jane Prentiss/the infestation and the jarchivist himself and also the rot yezyez the rotting too and also the beginning of the song "front street" where he sings about the slaughterhouse and meat...yes It's the flesh and the slaughter!!!!

And bro c'mon will wood is just so bbgirl his songs just fit SO WELL it's almost as if he wrote them specifically for tma

AAAAAAAAAAAAAAAA I'm low-key obsessed with him and I don't even listen to all the songs (I have the entire "everything's alot" album downloaded >I love it really mutch + a few other ones so I hope this counts ❤️)

Have a nice day btw love youuu❤️❤️❤️❤️ (I hope I didn't squish your brain to death with this friggin paragraph I just wrote :'] )

[ID of image in ask: a screenshot of a caption of a tumblr post by theallegedbird that the ask is responding to, it reads "memento mori- will wood, i can and will find a way to relate every ww song to tma istg". End ID]

NO LITERALLY,, YOU ARE SO RIGHT

kind of got carried away so um. long post

completely agree and feel the same about 6up 5oh cop out, dr sunshine is dead and mr capgras

6up 5oh cop out to me especially could be linked to daisy and the guy you mentioned as well as the hunt as whole because of both of them being heavily tied to and criticising the police/police brutality

warning for discussion of eds in this paragraph

skeleton appreciation day for me is the flesh,, dont get me wrong i can see your ideas too but i always interpreted the song as being about eds and negatively/unhealthily watching your weight in order to achieve "the perfect body" by society's standards; by being skinny,, "tell me you can see my bones" , "to cut down on my silhouette" and the whole end dialogue, so that fits into the flesh for me considering another situation of someone wanting the "ideal body" is something that is discussed in a flesh statement (mag90-bodybuilder), but i can see some themes in the song that can could be corruption, plus both the flesh and corruption are pretty closely linked at times (and smirkes system is just inaccurate to begin with)

dr sunshine is dead is as you said the dark to me,, in the sense of someone maybe becoming an avatar (song starts with narrator afraid of the dark/not knowing and ends with them embracing it) but also could be seen as the stranger or even spiral because of its themes (like most of ww's work) involving identity and the self

for hand me my shovel,, may i propose it is also s2 jon coded. very s2 jon coded. it is very much his paranoid need for the 'truth'. do you. do you get me

id also like to propose some other ww songs that are also extremely tma coded,, to me

blackboxwarrior!! ok stick with me but yknow that one dialogue bit that starts "hello, welcome. why don’t you take a seat?" that whole section. thats og elias and jonah in elias' interview. do you see the vision. its them. i always take it as jonah being the narrator when looking at this song with tma in mind,, with the "you’ve lost your mind and almost lost your life before, so you’ll be fine" and "for what it’s worth if it was going to kill you, boy, it would have by now" being directed at jon. please say im not insane for this i. i listen to this song a lot.

on the topic of jon and jonah your body my temple. because. because hes using jon as a pawn,, "your visage my visions" (i know this songs about sydney and elijah ch&t but can be tma too. if you think about it)

again with jon and jonah (i despise jonah and the godforsaken thing that is jonelias but their dynamic is so interesting) laplaces angel,, dont know how to put this one into words but do you Get It,, could be both or either of them really,, certain lyrics include: "it doesnt take a killer to murder it only takes a reason to kill", "the difference twixt fate and free will is whether youre singing", "whatever you think of me, if you were in my shoes, youd walk the same damn miles i do"

against the kitchen floor could also be jmart,, especially these parts: "i just havent learnt to be as human as you are yet", "i still dont know who you are, only that im still lonely", "apologizing for my life and ever entering yours" "im not a good person, im barely a person at all"

cicada days,, jon. jon coded. i really want ro make something with especially the in case i die live show version bc it just fits. so well. "it just feels inhumane to lose this much", "let all my red flags fade to white yeah i give up", and biggest one to me "here at the end of days, my god what have i done?" as in mag160,,

cotard's solution is the stranger,, again with the identity

there’s more but i’ve just realised how long this already is so ima leave it there

pff sorry for hijacking your ask but i’m a sucker for media analysis and any opportunity to do that with not one but two of my special interests causes me to black out and the autism to take over <33

also you’re so real for everything is lot,, favourite album

have a great day or night :D